Editor’s Note

Photo Courtesy: Debiprasad Sahoo

Photo Courtesy: Debiprasad Sahoo

Hello Dear Readers! We are delighted to present the summer issue of Global Rasika, an online initiative launched in 2014 to cultivate critical thinking and discourse across the Odissi dance community worldwide.

This issue of Global Rasika, “Changing Paradigms in Odissi Dance,” explores the changing dimensions in Odissi’s ecosystem and their possible future impact in today’s context. The last decade or so has brought about dramatic transitions in the world – economic, political, cultural, and social. These changes, further intensified by the internet and social media, have drastically altered the value systems not only in India but throughout the world. Thus, changes in the overall dynamics: our understanding, approach, practice and promotion of classical dance – is inevitable.

In this issue, our writers express their views on several live debates amongst the Odissi fraternity today: Dance as means of unlocking creative potential, performance in alternative spaces, a departure from the conventional mode of learning in pursuit of an individual artistic journey, and exploring Odissi as a means of creative expression. Our writers challenge the ingrained set of values that have defined the ‘norm’ in the field and which, if not examined carefully, will run the risk of doing the art form more harm than good.

We are grateful to have had the opportunity to speak with veteran Odissi dancer Guru Smt. Aruna Mohanty, who offers valuable insight and perspective from her active involvement in the dance field over the last several decades.

We would like to extend our deepest gratitude to the contributors for this issue: Merle O’Brien, Ayona Bhaduri, Ashwini Raghupathy and Fatima Montero, for drawing upon their own experiences and research to share with our readers. We also would like to thank photographer Debiprasad Sahoo, who has accompanied us on this journey from the very beginning and who continues to support our vision.

As with our previous issues, we humbly request our readers to please read, analyze and discuss the ideas presented here. It is our hope that with continued discourse, we can collectively contribute to the continuous and holistic transformation and progression of Odissi, helping to retain and hopefully further its position as a leading form of dance expression not just amongst classical forms in India but amongst all forms of dance globally. We welcome your feedback and suggestions to further our efforts to create a vibrant, engaged, and aware Odissi community worldwide.

Many thanks to you: our growing list of readers – for your continued support and enthusiasm.

Sonali Mishra
Editor, Global Rasika
July 2015
Detroit

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