Rekha Tandon on Odissi: New Metaphors, New Meanings

Photo Courtesy: Robyn Beeche

Photo Courtesy: Robyn Beech

Dr. Rekha Tandon has successfully carved her own path as a dancer, writer, researcher, and choreographer. Having undergone years of rigorous training in Odissi, her desire to find her individual voice as an artist led her to delve deeper into the study of dance and movement. She was awarded of the Charles Wallace Arts Fellowship (UK), and a UNESCO Artists’ Bursary Award for further studies at the Trinity Laban Conservatoire of Music and Dance in London, where she was awarded her PhD in 2005. Her thesis focused on examining Odissi from the perspective of Choreological Studies. Dr. Tandon, along with her partner, Michael Weston, founded their company Danceroutes in 1997, under which they collaborated on a number of groundbreaking projects and initiatives including (but not limited to) the Danceroutes Repertory Group, KAI (Knowledge-Arts-Initiatives) Trust, and the book Odissi: A Dance in Sculpture, which was published in 2011. They have also conducted extensive research in related aspects of Odissi dance. Dr. Tandon currently resides in Pondicherry, where she has recently completed a manuscript called “Petals of the Lotus-Background, Technique and Embodiment of Odissi Dance,” which is expected to be published this year. Dr. Tandon shares with us her journey as a creative artist, as well as her insights on Odissi.

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